{"version":"1.0","provider_name":"CREATIVE AUSTRIA \u2013 Contemporary Culture","provider_url":"https:\/\/www.creativeaustria.at\/en\/","author_name":"CREATIVE AUSTRIA","author_url":"https:\/\/www.creativeaustria.at\/en\/author\/creative-austria-redaktion\/","title":"Elfie Semotan \/ Francisco Carolinum Linz &#187; CREATIVE AUSTRIA \u2013 Contemporary Culture","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"qfWSEXYVA0\"><a href=\"https:\/\/www.creativeaustria.at\/en\/2024\/02\/19\/elfie-semotan-francisco-carolinum-linz\/\">Elfie Semotan \/ Francisco Carolinum Linz<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.creativeaustria.at\/en\/2024\/02\/19\/elfie-semotan-francisco-carolinum-linz\/embed\/#?secret=qfWSEXYVA0\" width=\"600\" height=\"338\" title=\"&#8220;Elfie Semotan \/ Francisco Carolinum Linz&#8221; &#8212; CREATIVE AUSTRIA \u2013 Contemporary Culture\" data-secret=\"qfWSEXYVA0\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.creativeaustria.at\/wp-content\/uploads\/2024\/02\/ESemotan-2009-03-21-A-Guide-Magazine-Gerhard-Freidl-Wien-378-_DSC1454-scaled.jpeg","thumbnail_width":2560,"thumbnail_height":1703,"description":"14.03.2024 \u2013 28.07.2024 Anyone expecting classic fashion photography in Elfie Semotan&#8217;s exhibition is wrong, because the aim is not to produce even more aesthetic and glamorous images, but to position them differently. Perhaps even to present less perfect, more inaccessible faces, not to propagate elegant movements as a clich\u00e9d ideal, but instead to show unusual, [&hellip;]"}