No one can forbid us to travel in our heads. What could generally apply as a motto for the imaginative, touching, amusing and critical films of young female animators has gained an additional dimension in lockdown times. <\/p>\n\n\n\n
Every year, the \u201cTricky-Women \/ Tricky Realities\u201d Film Festival offers young female animation filmmakers a stage to present their work. This year, however, this was only possible online due to the pandemic. <\/p>\n\n\n\n
Waltraud Grausgruber sees this circumstance with mixed feelings. On the one hand, the essence of a festival is the direct personal encounter. On the other hand, the festival\u2019s move to the Internet has opened up the program to a much wider audience: \u201cDuring the festival days, we had viewers from over 70 countries. And the number of views was higher than at a normal festival,\u201d Grausgruber is nevertheless satisfied. What is clear to her, however, is that the Tricky- Women Festival will have to be held live in Vienna again next time. <\/p>\n\n\n\n
For several years now, a cooperation between the Tricky Women Festival and the Section for Cultural Relations Abroad of the Austrian Ministry for Foreign Affairs has ensured the international distribution of selected films from the program: a selection of films from the festival is presented worldwide in cooperation with the Austrian Cultural Forums and cultural departments of the Austrian embassies. <\/p>\n\n\n\n
\u201cOf journeys, affairs of the heart and peripheries\u201d: This is the motto of this year\u2019s Tricky Women Filmroll program. The Austrian Cultural Forums around the world, with their on-site networks and complementary supporting programs, are providing the predominantly younger women filmmakers presented in this program an important additional international stage for their work. For the time being, due to the pandemic, the Tricky-Women film reel will be presented at regional online events. However, these will be embedded in on-site collaborations, creating opportunities for women filmmakers to engage in bilateral exchange as well. <\/p>\n\n\n\n
The films selected for this program tell of the love of life, the fear of life, ancient myths and modern encounters. About journeys that are arduous, dangerous, involuntary or self-chosen. <\/p>\n\n\n\n
In her film \u201cIn Her Boots\u201d, Kathrin Steinbach- er from Salzburg takes an uncommonly tender and humorous look at \u201cGrandma Hedi\u201d who is suffering from dementia. Veronika Schubert reassembles catchphrases and template-like sequences of You-Tube influencers. And Ani Antonova, with 5,000 pencil images drawn by hand on paper, resurrects the involuntary \u201cmigration story\u201d of the 16th-century elephant Suleyman, whose fate took him from Ceylon to Lisbon to the Viennese court, where his life\u2019s journey ended as a living gift for Maximilian II. <\/p>\n\n\n\n
The Tricky Women film reel makes it clear: Limits exist only because of the pandemic. But not for the imagination. <\/p>\n\n\n\n
\u201eVon Reisen, Herzensangelegenheiten und Peripherien\u201c <\/strong><\/p>\n\n\n\n FILME Infos \u00fcber aktuelle Onlinescreenings:<\/strong> <\/p>\n","protected":false},"excerpt":{"rendered":" No one can forbid us to travel in our heads. What could generally apply as a motto for the imaginative, touching, amusing and critical films of young female animators has gained an additional dimension in lockdown times. Every year, the \u201cTricky-Women \/ Tricky Realities\u201d Film Festival offers young female animation filmmakers a stage to present […]<\/p>\n","protected":false},"author":2,"featured_media":32392,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[77,430,231,431,232,254,338,345],"tags":[494,495,382],"class_list":{"0":"post-32539","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-gegenwartskultur-en","8":"category-creativeonline-en","9":"category-festivals-en","10":"category-filmon-en","11":"category-film-en","12":"category-preview-7","13":"category-preview-5","14":"category-vienna","15":"tag-kurzfilm-en","16":"tag-tricky-women-en","17":"tag-wien-en"},"jetpack_publicize_connections":[],"yoast_head":"\n
Tricky Women Filmrolle <\/strong><\/p>\n\n\n\n
Linzer Lust | Linz Delight
<\/strong>Maya Yonesho, AT\/DE 2019, 3\u201917
Vermessung der Distanz | Measuring the Distance
<\/strong>Susi Jirkuff, AT 2019, 7\u2018
The Outlander
<\/strong>Ani Antonova, AT 2018, 5\u2019
Shaul und Iwan | Shaul And Ivan <\/strong>
Rebecca Akoun, AT 2019, 9\u201950
Contouring
<\/strong>Veronika Schubert, AT 2019, 3\u201950
Lieb Dich | Love You
<\/strong>Sabine Groschup, AT 2019, 8\u2019
Pang\u00e4a
<\/strong>Beate Hecher und Markus Keim, AT 2020, 13\u201835
Who\u2019s Afraid Of RGB
<\/strong>Billy Roisz, AT 2019, 8\u201920
In Her Boots
<\/strong>Kathrin Steinbacher, AT\/UK 2019, 6\u201902
Cardiograph<\/strong>, AT 2018, 1\u201940
Explosive Speech<\/strong>, AT 2017, 2\u201900
Shaping Waves<\/strong>, AT 2018, 1\u201945
Glass Wall
<\/strong>Anna Vasof, AT 2017, 2\u201907 <\/p>\n\n\n\n
www.austriakulturdigital.at <\/a>
www.trickywomen.at <\/a><\/p>\n\n\n\n