{"id":38907,"date":"2022-08-16T08:10:23","date_gmt":"2022-08-16T08:10:23","guid":{"rendered":"https:\/\/www.creativeaustria.at\/?p=38907"},"modified":"2022-08-16T08:10:25","modified_gmt":"2022-08-16T08:10:25","slug":"hito-steyerl-animal-spirits","status":"publish","type":"post","link":"https:\/\/www.creativeaustria.at\/en\/2022\/08\/16\/hito-steyerl-animal-spirits\/","title":{"rendered":"Hito Steyerl: Animal Spirits"},"content":{"rendered":"\n<p><strong>22.09. 2022 \u2013 08.01. 2023<\/strong><\/p>\n\n\n\n<p>The Berlin media artist Hito Steyerl is considered a well-founded analyst of our digital image-controlled world.<\/p>\n\n\n\n<p>In the context of the exhibition \u201cHito Steyerl \u2013 Animal Spirits\u201d, curated by Katrin Bucher Trantow for the Kunsthaus Graz, Steyerl explores the question of what one might actually understand by a habitat, a \u201cgarden\u201d or a sphere today.<\/p>\n\n\n\n<p>Hito Steyerl\u2019s works are pointed analyzes of the high-tech society. As a profound connoisseur of digital space and artificial intelligence, the Documenta and multiple Biennale participant develops multi-layered interlocking installations that identify the image as a place of world perception in multiple, sometimes interactive narratives.<\/p>\n\n\n\n<p>The artist follows the \u201creality enhanced by technology\u201d and deals with global flows of finance and goods, working conditions and power structures in a way that is both critical and subversive. She plays with the manipulative power of the visual and practices institutional criticism that goes far beyond the museum.<\/p>\n\n\n\n<p><strong>Hito Steyerl: Animal Spirits<\/strong><br>22.09. 2022 \u2013 08.01. 2023<br>Kunsthaus Graz<br><a href=\"http:\/\/www.museum-joanneum.at\/kunsthaus-graz\/\">http:\/\/www.museum-joanneum.at\/kunsthaus-graz\/<\/a> <br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>22.09. 2022 \u2013 08.01. 2023 The Berlin media artist Hito Steyerl is considered a well-founded analyst of our digital image-controlled world. In the context of the exhibition \u201cHito Steyerl \u2013 Animal Spirits\u201d, curated by Katrin Bucher Trantow for the Kunsthaus Graz, Steyerl explores the question of what one might actually understand by a habitat, a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[76,80,77,286,78,79],"tags":[],"class_list":{"0":"post-38907","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-art","7":"category-art-7","8":"category-gegenwartskultur-en","9":"category-current","10":"category-graz-en","11":"category-kreative-orte-en"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hito Steyerl: Animal Spirits &#187; CREATIVE AUSTRIA \u2013 Contemporary Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.creativeaustria.at\/en\/2022\/08\/16\/hito-steyerl-animal-spirits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hito Steyerl: Animal Spirits &#187; CREATIVE AUSTRIA \u2013 Contemporary Culture\" \/>\n<meta property=\"og:description\" content=\"22.09. 2022 \u2013 08.01. 2023 The Berlin media artist Hito Steyerl is considered a well-founded analyst of our digital image-controlled world. 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