{"id":40903,"date":"2022-09-19T14:03:46","date_gmt":"2022-09-19T14:03:46","guid":{"rendered":"https:\/\/www.creativeaustria.at\/2022\/09\/19\/viennale-22-wien\/"},"modified":"2024-02-22T11:09:04","modified_gmt":"2024-02-22T11:09:04","slug":"viennale-22-wien","status":"publish","type":"post","link":"https:\/\/www.creativeaustria.at\/en\/2022\/09\/19\/viennale-22-wien\/","title":{"rendered":"Viennale ’22 \/ Vienna"},"content":{"rendered":"\n

20.10. \u2013 01.11.2022<\/strong><\/p>\n\n\n\n

The VIENNALE film festival turns 60 this year but is far from getting old.<\/p>\n\n\n\n

VIENNALE director Eva Sangiorgi dedicates the VIENNALE \u201822 to film festivals as such: \u201cON FESTIVAL\u201d is the motto of this anniversary edition. Around the actual film program, the VIENNALE brings together members of the film industry and festival experts to reflect and discuss the past, present and future of film festivals.<\/p>\n\n\n\n

Because the rise of streaming services and the associated changes in the forms of film exploitation and film production also have a direct impact on film festivals as such. The Corona years made many film festivals starting to experiment with hybrid festival forms or – during the peak of the pandemic – have taken place exclusively online. Against this background, the behavior of film audiences in going to the cinema and in watching films has changed in general.<\/p>\n\n\n\n

Film festivals, which have \u2013 beside the film program  – a strong b2b festival section directly for the film industry, feel these changes the most. Many pitching forums and co-production markets have already moved to a not inconsiderable part into the digital space. And will probably not return from there in the old form on site.<\/p>\n\n\n\n

For most cineastes and the film industry itself, however, the live festivals remain irreplaceable. The immediate proximity and regular direct exchange among colleagues is irreplaceable for this highly project-related art form, in which production staff and cast are put together starting from almost zero for practically every production.<\/p>\n\n\n\n

Ruth Beckermann is also focusing on immediate proximity with her film \u201cMutzenbacher\u201d, which won the prize for Best Film in the Encounters section of this year\u2019s Berlinale and will also be shown at the VIENNALE.<\/p>\n\n\n\n

As part of a casting situation, Beckermann places 4 men on a sofa. The casting participants are handed over an unknown text passage from the erotic novel \u201cJosefine Mutzenbacher\u201d and asked to read it aloud in front of the camera. Afterwards they are  interviewd about this text by the director. Beckermann thus succeeds in a socially relevant analysis of the relationship between imagined images, language and pleasure. The pleasure for playing with language is also the focus of another film that will be shown at the VIENNALE: The documentary \u201cElfriede Jelinek – Letting the language off the leash\u201d by Claudia M\u00fcller paints a complex, woven portrait of the mostly media-shy Nobel Prize winner for literature. Hardly any other writer has polarized as much as Jelinek in the recent past. She is insulted, insulted, revered and honored with the most important literary and theater prizes. Jelinek\u2019s language is complex. Claudia M\u00fcller also reflects this complexity of the writer and her language in the complexity of the visual language of her documentary film, in which she draws a collage-like image of Jelinek with a multitude of found footage and archive material. The festival audience of this year\u2019s VIENNALE has a lot to talk about the festival and its films. But only if they attend it.<\/p>\n\n\n\n

VIENNALE ’22<\/strong>
20.10. \u2013 01.11.2022
Various locations, Vienna
www.viennale.at<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

20.10. \u2013 01.11.2022 The VIENNALE film festival turns 60 this year but is far from getting old. VIENNALE director Eva Sangiorgi dedicates the VIENNALE \u201822 to film festivals as such: \u201cON FESTIVAL\u201d is the motto of this anniversary edition. Around the actual film program, the VIENNALE brings together members of the film industry and festival […]<\/p>\n","protected":false},"author":2,"featured_media":40900,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[77,231,232,79,345],"tags":[],"class_list":{"0":"post-40903","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-gegenwartskultur-en","8":"category-festivals-en","9":"category-film-en","10":"category-kreative-orte-en","11":"category-vienna"},"jetpack_publicize_connections":[],"yoast_head":"\nViennale '22 \/ Vienna » CREATIVE AUSTRIA \u2013 Contemporary Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.creativeaustria.at\/en\/2022\/09\/19\/viennale-22-wien\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Viennale '22 \/ Vienna » CREATIVE AUSTRIA \u2013 Contemporary Culture\" \/>\n<meta property=\"og:description\" content=\"20.10. \u2013 01.11.2022 The VIENNALE film festival turns 60 this year but is far from getting old. 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aus Mutzenbacher (2022), \u00a9 Ruth Beckermann \/ Viennale \u2013 Vienna International Film Festival\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.creativeaustria.at\/en\/2022\/09\/19\/viennale-22-wien\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\/\/www.creativeaustria.at\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Viennale ’22 \/ Vienna\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.creativeaustria.at\/#website\",\"url\":\"https:\/\/www.creativeaustria.at\/\",\"name\":\"CREATIVE AUSTRIA \u2013 Contemporary Culture\",\"description\":\"Austrias Magazine for Contemporary 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aus Mutzenbacher (2022), \u00a9 Ruth Beckermann \/ Viennale \u2013 Vienna International Film Festival"},{"@type":"BreadcrumbList","@id":"https:\/\/www.creativeaustria.at\/en\/2022\/09\/19\/viennale-22-wien\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.creativeaustria.at\/en\/"},{"@type":"ListItem","position":2,"name":"Viennale ’22 \/ Vienna"}]},{"@type":"WebSite","@id":"https:\/\/www.creativeaustria.at\/#website","url":"https:\/\/www.creativeaustria.at\/","name":"CREATIVE AUSTRIA \u2013 Contemporary Culture","description":"Austrias Magazine for Contemporary 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