{"id":49884,"date":"2024-11-07T11:05:00","date_gmt":"2024-11-07T11:05:00","guid":{"rendered":"https:\/\/www.creativeaustria.at\/?p=49884"},"modified":"2024-11-07T09:33:33","modified_gmt":"2024-11-07T09:33:33","slug":"farshido-larimian-en-passant-bildraum-01-vienna","status":"publish","type":"post","link":"https:\/\/www.creativeaustria.at\/en\/2024\/11\/07\/farshido-larimian-en-passant-bildraum-01-vienna\/","title":{"rendered":"FARSHIDO LARIMIAN | En Passant \/ Bildraum 01, Vienna"},"content":{"rendered":"\n<p><strong>27.11.2024 \u2013 16.01.2025<\/strong><\/p>\n\n\n\n<p>In En Passant, Farshido Larimian emphasizes the feeling of change and the capturing of historical moments. After discovering old plans and papers from the years 1902\u20131922, the artist used them as the support material for his works. He thus celebrates the almost fateful creative drive that these relics evoked in him, and lovingly breathes new life into them. Farshido Larimian uses various collage and transfer techniques that enable him to make changes up to a certain point. The period in which these creative steps can be reversed is limited, after which the changes are final. Adding modern elements to historical contexts requires a nuanced and strategic approach of high precision.<\/p>\n\n\n\n<p><strong>FARSHIDO LARIMIAN | En Passant<\/strong><br>27.11.2024 \u2013 16.01.2025<br>Bildraum 01<br>Strauchgasse 2<br>1010 Vienna<br><a href=\"http:\/\/www.bildrecht.at\">www.bildrecht.at<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>27.11.2024 \u2013 16.01.2025 In En Passant, Farshido Larimian emphasizes the feeling of change and the capturing of historical moments. After discovering old plans and papers from the years 1902\u20131922, the artist used them as the support material for his works. He thus celebrates the almost fateful creative drive that these relics evoked in him, and [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":49883,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[332,284,301,305,80,77,226,342,285,352,79,25,345],"tags":[],"class_list":{"0":"post-49884","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-architecture-5","8":"category-architecture-6","9":"category-art-6","10":"category-art-5","11":"category-art-7","12":"category-gegenwartskultur-en","13":"category-events-7-en","14":"category-events-5-en","15":"category-events-6-en","16":"category-media-art-visuals-graphics","17":"category-kreative-orte-en","18":"category-uncategorized","19":"category-vienna"},"jetpack_publicize_connections":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>FARSHIDO LARIMIAN | En Passant \/ Bildraum 01, Vienna &#187; CREATIVE AUSTRIA \u2013 Contemporary Culture<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.creativeaustria.at\/2024\/11\/07\/farshido-larimian-en-passant-bildraum-01-wien\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"FARSHIDO LARIMIAN | En Passant \/ Bildraum 01, Vienna &#187; CREATIVE AUSTRIA \u2013 Contemporary Culture\" \/>\n<meta property=\"og:description\" content=\"27.11.2024 \u2013 16.01.2025 In En Passant, Farshido Larimian emphasizes the feeling of change and the capturing of historical moments. After discovering old plans and papers from the years 1902\u20131922, the artist used them as the support material for his works. 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